Collection of Prints and Drawings

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Production People
Master NDB (Print made by)artist bio
Master NDB [Monogrammist NDB]
fl c. 1520-50

Giulio Romano (After)artist bio
Giulio Romano [Pippi]
b Rome, ?1499; d Mantua, 1 Nov 1546
Title / Description
The Massacre of the Innocents
chiaroscuro woodcut in three blocks in brown
292 x 510 mm (sheet, trimmed)
Inscribed lower centre: 'RAPH. VRB. INVEN.'
visible, height: 72 mm, width: 32 mm
Nikolaus Esterházy (Lugt 1966)
Bartsch XII.33.7 (as after Raphael) info
Adam Bartsch, Le peintre-graveur, vols. 21, Vienna 1803-21

Passavant 1860, vol. 2, p. 217 info
Johann David Passavant, Raphaël d'Urbin et son père Giovanni Santi, 2 vols., Paris 1860

Nagler, Monogr. vol. 4, p. 743-744 info
Georg Kaspar Nagler, Die Monogrammisten, 6 vols., Munich 1858–79

Pouncey and Gere 1962, vol. 1, p. 81, note 1 info
Philip Pouncey and John A. Gere, Italian drawings in the Department of Prints and Drawings in the British Museum. Raphael and his circle, 2 vols, London, 1962

Paris and Rotterdam 1965-66, no. 123 info
Clairs-obscurs: Gravuers sur bois imprimées en coleurs de 1500 a 1800 provenant de collections hollandaises, ed. Carlos van Hasselt, exhibition catalogue, Paris, Institute Néderlandais and Rotterdam, Museum Boymans-van Beuningen 1965-66

Trotter 1974, pp. 131ff info
William H. Trotter, Chiaroscuro Woodcuts of the Circle of Raphael and Parmigianino: A Study in Reproductive Graphics, PhD Diss., Ann Arbor, University of North Carolina 1974

Karpinski 1976, no. 1 info
Caroline Karpinski, 'Some Woodcuts after Early Designs of Titian,' Zeitschrift für Kunstgeschichte 39 (1976), pp. 259-74

Gnann in Mantua and Vienna 1999, p. 291, nos. 206-207 info
Achim Gnann in Raphael und der klassische Stil in Rom: 1515-1527, eds. Konrad Oberhuber and Achim Gnann, exhibition catalogue, Mantua, Palazzo Te and Vienna, Albertina 1999

Matile 2003, p. 155 info
Michael Matile, Italienische Holzschnitte der Renaissance und des Barock, Bestandskatalog der Graphische Sammlung der ETH, Zürich, Basel 2003

Jenkins 2013, esp. pp. 137-38 info
Catherine Jenkins, The Chiaroscuro Woodcuts of the Master ND at Fontainebleau, Print Quarterly 30 (2013), pp. 131-143.

Gnann 2013, nos. 134-135 info
Achim Gnann, In Farbe! Clair-obscur-Holzschnitte der Renaissance aus der Sammlung Baselitz und der Albertina, exhibition catalogue, Albertina, Vienna, 2013
Among the ten compositions presently attributed to the master, The Massacre of the Innocents is his most ambitious multi-figure woodcut. It is related to the tapestry series known as the Life of Christ or the Scuola nuova, eleven of which survive today in the Vatican Museums. While Raphael is named as inventor in the inscription, the extent of his involvement in the design is unknown. Giulio Romano, with the assistance of other artists from Raphael’s workshop, played an important role in the tapestry compositions, including the Massacre of the Innocents.
Inventory Number
Prints: Italian: 16th century: Mounted II
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